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In this lesson you'll find out transcribed from Pat's solo. & nbsp & nbsp Sunny Lick 1 [starts at 1:08 in the video] In this first, you'll see a variety of ultimate Martino ideas throughout the phrase: The first principle to explore is the opening four notes of the line,. These 4 notes come from the, which is a sound Martino frequently checks out over m7 chords in his solos.

You'll likewise see the G melodic minor scale utilized to lay out the Gm7 chord, with the highlighting that scale option.  Also Found Here  but not least, inspect out the Bb-C-D-F notes over C7, which is a 1235 pattern of that chord. This pattern is not only discovered in Martino's playing, however is a favorite of John Coltrane, heard most notoriously in his solo on the jazz classic "Giant Actions." & nbsp Bright Lick 2 [starts at 2:56 in the video] Apart from the bebop impact at the end of this you'll see a duplicated melodic expression repeated throughout the very first 5 and a half bars of the line.

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Practice taking this, heard in the second half of the Am7 bar at the start of the line, and repeat it when soloing in your practice regimen. From there, develop your own melodic expression to repeat in your solos. The key is to utilize the duplicated phrase to, however know when to move on in your lines so that the lick doesn't end up being overdone.

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& nbsp Bright Lick 3 [starts at 4:23 in the video] Apart from studying single-notes when digging into Martino's soloing ideas, you'll likewise desire to go into his usage of and chords in his soloing expressions. You can see two and three-note shapes being used in this line to throughout the phrase.

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When dealing with double stops on your own, you can take them from arpeggios, small pentatonic scales, or modes in your solos. & nbsp Warm Lick 4 [starts at 4:51 in the video] Here's another duplicated Pat Martino lick, though this time the line is not based on arpeggios or, as you saw in the first two repetitive lines in this lesson.